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Human Anatomy and Decomposing Flora Unveil a Surreal Mix of Dreams and Feelings in Rafael Silveira’s Portraits

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#anatomy
#oil painting
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#plants
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Human Anatomy and Decomposing Flora Unveil a Surreal Mix of Dreams and Feelings in Rafael Silveira’s Portraits

December 29, 2021

Grace Ebert

All images (C) Rafael Silveira, shared with permission

In Rafael Silveira‘s Unportraits, magenta curls and slick, turquoise coifs frame the bizarre scenarios unfolding in a subject’s mind. The Brazilian artist, who gravitates towards oil paints in shades of pink and blue, translates a character’s psyche through wilting flowers, gashes in the earth’s surface, and parrots with feathers that drip like wet paint. Anatomical elements like singular eyes, hearts sprouting veins, and twisting brain matter bolster the unearthly qualities of each work, which meld flora and fauna into a surreal mishmash. “From inside, we are a strange mix of dreams, thoughts, feelings, and human meat,” Silveira tells Colossal. “I think these portraits are not persons but moods.”

Peculiar situations surround the subjects as their sweaters melt like ice cream and spiders spin webs from the parched ground supplanting their necks, a visual that evokes thick wrinkles associated with aging. These fleeting actions are part of the artist’s reference to paper ephemera and the ways thoughts and feelings decompose over time. “This rich mental energy is like an invisible raw element, part of the immaterial alchemy of my works,” he says. “We can’t control what life brings us, but we can decide how to react. We make these small decisions all the time. These characters evoke the power of reaction.”

Silveira is based in Curitiba, Brazil, and has his work slated for a January group exhibition at London’s Dorothy Circus Gallery and in March in an immersive solo show at Farol Santander in S?o Paulo. Until then, pick up a print and keep an eye on his Instagram for new additions to his portrait series, which will be on view in July at Choque Cultural Gallery.

#anatomy
#oil painting
#painting
#plants
#portraits
#surreal

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SpaceWalk: a Spectacular Rollercoaster-Esque Staircase Loops Through a South Korean Park

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#public art
#sculpture
#stairs
#steel

SpaceWalk: A Spectacular Rollercoaster-Esque Staircase Loops Through a South Korean Park

January 27, 2022

Grace Ebert

All images (C) Heike Mutter and Ulrich Genth

Towering 70-meters above ground at its highest point, “SpaceWalk” is the latest undulating sculpture by Hamburg-based artists Heike Mutter and Ulrich Genth. The monumental staircase winds in loops and elevations similar to that of a rollercoaster throughout Hwanho Park in Pohang, South Korea, and is almost entirely accessible for pedestrians except for the innermost circuit. It’s the largest contemporary public sculpture ever installed in the country.

A follow-up to the pair’s 2011 project “Tiger & Turtle – Magic Mountain” in Duisburg, Germany, “SpaceWalk” is built of galvanized and stainless steels atop a cement foundation and embedded rows of LED lights. “At night in particular, the brightly-illuminated walkway appears like a sigil drawn in the sky, appearing to represent different things depending on where one is standing,” Mutter and Genth say. “Thus, the sculpture also references local mythology and a tradition of sky-gazing and also makes playful use of relativity.”

Pedestrians enter the work at a central staircase, which breaks into two paths: one gently sloped walkway leads to a view of Yeongil Bay and the surrounding city, while the other is a steeper climb through a helix. Both are designed to mimic an otherworldly experience. “The title ‘SpaceWalk’ is taken from the terminology of outer space missions. It describes the act of exiting the space vehicle in the weightlessness of outer space. More literally, ‘SpaceWalk’ can be understood to mean ‘a walk through space,'” they say.

For more of the duo’s architectural projects, head to their site. (via This Isn’t Happiness)

#public art
#sculpture
#stairs
#steel

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Archeologists Unearth a Roman Glass Bowl Dating Back 2,000 Years in Pristine Condition

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Archeologists Unearth a Roman Glass Bowl Dating Back 2,000 Years in Pristine Condition

January 27, 2022

Grace Ebert

All images courtesy Marieke Mom, shared with permission

Sitting a few miles from the German border, Nijmegen is the oldest city in The Netherlands, and after a recent archeological dig, it’s also the site that unearthed a stunningly preserved bowl made of blue glass. The pristine finding, which is estimated to be about 2,000 years old, is from the agricultural Bataven settlement that once populated the region. Featuring diagonal ridges, the translucent vessel was made by pouring molten glass into a mold, sculpting the stripes while the material was liquid, and using metal oxide to produce the vibrant blue. Archeologists uncovered it without a single chip or crack.

Around the time the bowl was procured, Nijmegen was an early Roman military camp and later, the first to be named a municipium, or Roman city. Archeologist Pepjin van de Geer, who led the excavation, told the De Stentor that while it’s possible the vessel was created in a German glass workshop in cities like Cologne or Xanten, it’s also likely that the Batavians traded cattle hides to procure it. In addition to the piece, van de Geer’s team has also uncovered human bones, pitchers, cups, and other precious goods like jewelry, which indicates the site was once a burial ground. (via Hyperallergic)

The excavation site

#archaeology
#bowls
#glass

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PlayStation Plus Offers Tiny Tina’s Assault on Dragon Keep, UFC 4 in February

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Image: Gearbox Software/2K

Planet Coaster for PS5 rounds out the list

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